Abreu Fernanda
Da Lata
Veneno Da Lata
Rio de Janeiro
Wonderful City
the can
In the depths of the morning
In the silence of the dead
Suddenly she was kicked
On the beat
The drumming started
Knock knock knock on the can
It's the drum can
One thousand, nine hundred and ninety-five< br/>Seven thirty in the morning
It's time to go down to work
It's time to go down to have
What to win
1995
Twenty ten I'm going there
(It's scheduled to arrive)
You heard, you heard
It doesn't feel right, let it go
Twenty ten I'm going to arrive
To see what's there
Suingue-balanço-funk
It's the new sound in the square
Batuque-samba-funk
It's poison in a can (let's hit the can)
Half past twelve, I haven't even woken up
I'm already going to have lunch
(It's scheduled to arrive)
I don't listen to what they say
I don't listen to what they say
I don't speak the same way, I don't say amen
You have to talk to Jê
You have to talk to Zé
Ê Batumaré
I'm standing still at half past six
Pôr buttoned-up sunset
In the lagoon, on the embankment
I'm standing still
Volunteers, São Clemente
I'm standing still
In Rebouças, Túnel Velho
I'm standing still see
Swing-balanço-funk
It's the new sound in the square
Batuque-samba-funk
It's poison in the can (let's hit the can)
Later later, It's already night
Everything is up, already in the mood
I'm running to meet you
(It's scheduled to arrive)
I'm going to get you, I'm going to get you
I'm going to get you to show you
To see what there is
To see what there is
Just go up without getting tired
Then go down to work
Half past seven, noon
br/>Half past six, twenty past ten
Twenty past ten I'll come and get you
To see what's there
To see what's there
Swing-swing-funk
It's the new sound in the square
Batuque-samba-funk
It's poison from the can (let's batê can)