Guccini Francesco
Parnassius Guccinii
I Had to Make Cinema
G.Allosio F.Guccini/G.Allosio
Of course the gentleman is right
if he says we are in a film
of the last period,
where the repentant bandits confess
if they don't put them on trial
and so among the bloodstains life is as usual
and audience if in addition there is the scene
of the killer vomiting.
Do you know what it's like?
It's nice to make cinema
even if, there as a defendant
there is someone who believes they are in silent cinema,
it's nice to make cinema,
but rather than shoot
we remained hidden and watched.
Looking at what awaits us at the end of the tunnel,
of the ebbs reflected on certain Camel packages,
when everything is just a summary of idioms,
four quarters of boredom willing to end anyway;
but inflation doesn't end and makes us bad,
there is nothing worth it and so we are alive.
But what is it? ¨
What makes us make cinema?
Maybe this depression
or the instinct of conservation.
We, we go to make cinema,
and when to live It's a problem. />is that the public wants us to speak more simply,
so clear and precise and banal as to say nothing.
To understand the story you don't need a bigger speech;
Miss culture undress and give your underwear here.
You know how it is,
you have to make cinema,
not perverted stuff,
but a subject that serves life;< br/>we all make cinema
but rather than talking
we remain hidden and think.
But the manager of a small suburban cinema
told me that it's all of life that awaits an idea,
a small idea that evolves towards the end,
in the mother of all stories, the idea that resolves;
that subject that you feel in the air and it could arrive
just when you have already closed the place and changed profession:
you know how it is, it's nice to make films,
you know: we all make films.